The Adventures of Brisco County, Jr.

review by John W. Herbert
In the fall of 1993, a new show premiered on Friday nights on Fox. It followed two partners who brought in the bad guys, while encountering strange paranormal events and a government conspiracy to cover them up. It debuted to good ratings and great reviews. And it had a horse who thought he was a human. No, we aren't talking about the X-Files. We're talking about that other show, a comedy/western/sf hybrid that was broadcast an hour before Scully and Mulder: The Adventures of Brisco County, Jr.
The set-up was a classic western motif: in 1893, bad guy John Bly breaks out of custody with his gang, killing Marshall Brisco County, Sr. Bounty hunter Brisco Jr. is hired by rail barons to hunt down Bly and his gang, but because of the high price on Bly's head, Brisco is in competition with other bounty hunters, including the notorious Lord Bowler. But Bly has bigger fish to fry, and here's where the show becomes more than just a western. Bly's after a mysterious golden orb that has strange mystical powers.
Sent on missions by his boss Socrates Poole, Brisco encounters more than his share of outrageous characters along the trail: noted gunslinger Utah Johnny Montana (who used to be called Utah Johnny Cougar Montana but stopped using Cougar as it sounded too pretentious); the hapless bad guy Pete who dies more times than South Park's Kenny and has an unhealthy attachment to his pistol ("You're touching my piece! Nobody touches Pete's Piece!"); Sheriff Aron Viva (an ancestor of Elvis's); and Professor Wickwire, who invents, among other things, a rocket car, a diving suit and an airship (apparently financed by a German investor named Von Zeppelin). Brisco also has more than a few encounters with a saloon siren, the delectable Dixie Cousins.
The superb cast is anchored by B-movie hero Bruce Campbell as Brisco. He brings just the right amount of sincerity, strength and good humour to the role. No one will ever accuse him of being a great actor, but Campbell is perfect for this role. It's hard to imagine anyone else in the part. Julius Carry brought his very large presence to the character of Lord Bowler, a fellow bounty hunter who eventually teams up with Brisco. And the legendary John Astin brought his quirky charms to Professor Wickwire. Plus, special mention must be made of Billy Drago, who played Brisco's nemesis John Bly like he was from another planet (there's a hint for you).
It's not hard to see why Brisco's rating floundered as the season went on and was eventually canceled after after only one season; it's a very offbeat show, with wacky humour strewn among the pop-cult references. It's a western poking fun at western conventions. And it's also a sci-fi show, with the mysterious orb and its fantastic power the driving force behind many episodes. It's no wonder viewers didn't know what to make of it, but I enjoyed it a lot. I was surprised that the orb storyline was wrapped up about three-quarters of the way through the season, but I suspect had Brisco returned for a second season that the orb and John Bly would have returned. It was the orb plot that made the show something unique and after that was seemingly dealt with, the show settled back into being just a western, albeit a light and occasionally silly one. And although Brisco was criticized for being an overly violent show back in the day, Brisco never actually shot anyone.
The DVD box set has the complete series, plus a commentary track featuring Bruce Campbell and series co-creator Carlton Cuse on the pilot episode. They paint a fun picture, describing a hard but enjoyable shoot, and they also reveal all (such as it is) about the orb. There's also a short "making of" documentary, and a brief bit with Bruce Campbell reading from his book If Chins Could Kill. The highlight of the special features is a 45-minute round table discussion with the writers and co-creator Cuse. (A few of the writers now work on Lost, and viewers of that show might want to pay particular attention when the discussion turns to "orb mythology.")
So spend a few bucks and harken back to the thrilling days of yesteryear....

originally published in UTOH #18, October 2006

Shanghai Knights

reviewed by Adam Charlesworth

High concept movies are a problem. A bunch of guys get together with some high-powered Hollywood producer guys and pitch ideas. “I know a western...hmmm High Noon, no its been done, how about a vehicle for Jackie Chan...I know ShangHIGH Noon”.

The sequel, making the Noon to Knights pun, spawned a lot of top down concept ideas that peppered the movie with gags and caused the film to suffer from “creeping featuretteism” that is invading cinema as of late. What I mean is, now that Hollywood has proved a coherent plot line an unnecessary waste of time, they are going on to reduce films into five minute featurette segments that are visually amusing but break films up into bite-sized segments. It is as if some clever boffin has figured out that “they will never swallow all this crap whole, lets give it to them in bits.”

So, here are the things that pissed me off about the film: Chaplin not born in 1868.; machine gun not invented in 1880; and Jack the Ripper not walking about Whitechapel in 1880. These are all symptoms of the “concept” disease. “Nights.” “No, Knights,” says one Hollywood guy to the other “That’s even better, they will go to England, lets see, English stuff...royalty, Big Ben, Buckingham Palace, Jack the Ripper, Thames, make fun of palace guard, tough Americans, Sherlock Holmes...yeah we can squeeze all that in.”

Yup, they sure did. So all that being said, I laughed a lot. Although fun in the first movie, going through the gags again was not. Owen Wilson’s out of place philosophic everyman sans morals, was again a tour de force of funny. Jackie Chan scored big with two very funny featurette moments, one a Keystone Cop scene in a revolving elevator that was brilliant and just what I have come to expect from Mr. Chan, and an homage to Singin' in the Rain as he beats up a gang of Fleet street toughs, again brilliant.

If you want to watch a brilliant clever set piece movie with in depth and thought out plot line with no holes and good characters, rent a Cohen brother film, or go to an Ernst Lubitsch Film Festival, go to any film but this. If you have zero expectations (understand, that there is no real plot) and like to look at martial arts Owen Wilson or the young actress who played Jackie Chan’s baby sister (Fann Wong, OH MY GOD is she ever great)...then go. You will have a few laughs and giggles, I sure did.